
As with Steve McQueen's similarly unfulfilled
Hunger, Edel's intentionally interchangeable revolutionaries simply never resonate. And while the RAF's monotonous campaign of violence (carried out, incidentally, by a gaggle of machine gun toting bombshells to make Russ Meyer blush) is played for the absurdity it would ultimately represent, such a pat subversion is unsatisfying after 140 minutes of shrill, abject terrorism.
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