Pocket Cinephile Horror Essentials - The Complete List
# 1. The Texas Chainsaw Massacre, Tobe Hooper, 1974
Hooper's film is dark, deliberate, unnervingly naturalisitc, and, as such, an unimpeachable masterpiece. The final word in horror.
#2. The Shining, Stanley Kubrick, 1980
Kubrick's fever dream telling of Stephen King's haunted hotel ghost story is a pitch perfect marshalling of sight and sound where every passing moment is grossly more unsettling than the last.
# 3. Rosemary's Baby, Roman Polanski, 1968
Polanski's film, a giant in any discussion of horror, translates the taut, hard-driving pyschological suspense of his best early works (Knife in the Water, Repulsion) into a classic American spine-tingler.
# 4. Suspiria / Inferno, Dario Argento, 1977 / 1980
These first two installments of Argento's "Three Mothers" trilogy stand as the epitome of hyper-stylish horror. The plotting is superfluous, but the director's setpieces are awe-inspiring master strokes.
# 5. Night of the Living Dead, George A. Romero, 1968
Romero has built a career, and an extensive filmography, from mining the socio-political possibilities of the un-dead. This, his staggering first film, plays that card first and best and with startling immediacy.
# 6. Nosferatu, F.W. Murnau, 1922
Murnau's proto-expressionist vampire film is quite simply the template for castle-bound, blood sucking terror. Later retold admirably by Werner Herzog and Klaus Kinski (Nosferatu-Phantom der Nacht, 1979), and reinvented by E. Elias Merhige (Shadow of the Vampire, 2000), the film is one of the pillars upon which any house of horror is built.
# 7. The Exorcist, William Friedkin, 1973
Friedkin's film is by now synonymous with "real world" horror. With a mood that manages a resolute naturalism even while invoking the supernatural, the film's effects subsequently range from creeping uneasiness to out and out hide-your-eyes terror.
#8. Freaks, Tod Browning, 1932
Browning's sideshow horror fable is a marvel of early cinema. Eminently watchable depsite, and more likely because of, its cast of non-professional actors, the film is truly unsettling and nothing if not lasting.
# 9. Evil Dead II, Sam Raimi, 1987
Raimi's horror comedy sequel-cum-remake of his own no budget film is a gritty tour-de-force, fueled by Bruce Campbell's incendiary lead performance and a gaggle of gloriously DIY special effects.
# 10. Don't Look Now, Nicholas Roeg, 1973
Roeg's film is an immensely stylish, neo-gothic head scratcher that deploys minions no less impressive than the Church, the Elderly, and the Color Red in service of its considerable chills.
Hooper's film is dark, deliberate, unnervingly naturalisitc, and, as such, an unimpeachable masterpiece. The final word in horror.
#2. The Shining, Stanley Kubrick, 1980
Kubrick's fever dream telling of Stephen King's haunted hotel ghost story is a pitch perfect marshalling of sight and sound where every passing moment is grossly more unsettling than the last.
# 3. Rosemary's Baby, Roman Polanski, 1968
Polanski's film, a giant in any discussion of horror, translates the taut, hard-driving pyschological suspense of his best early works (Knife in the Water, Repulsion) into a classic American spine-tingler.
# 4. Suspiria / Inferno, Dario Argento, 1977 / 1980
These first two installments of Argento's "Three Mothers" trilogy stand as the epitome of hyper-stylish horror. The plotting is superfluous, but the director's setpieces are awe-inspiring master strokes.
# 5. Night of the Living Dead, George A. Romero, 1968
Romero has built a career, and an extensive filmography, from mining the socio-political possibilities of the un-dead. This, his staggering first film, plays that card first and best and with startling immediacy.
# 6. Nosferatu, F.W. Murnau, 1922
Murnau's proto-expressionist vampire film is quite simply the template for castle-bound, blood sucking terror. Later retold admirably by Werner Herzog and Klaus Kinski (Nosferatu-Phantom der Nacht, 1979), and reinvented by E. Elias Merhige (Shadow of the Vampire, 2000), the film is one of the pillars upon which any house of horror is built.
# 7. The Exorcist, William Friedkin, 1973
Friedkin's film is by now synonymous with "real world" horror. With a mood that manages a resolute naturalism even while invoking the supernatural, the film's effects subsequently range from creeping uneasiness to out and out hide-your-eyes terror.
#8. Freaks, Tod Browning, 1932
Browning's sideshow horror fable is a marvel of early cinema. Eminently watchable depsite, and more likely because of, its cast of non-professional actors, the film is truly unsettling and nothing if not lasting.
# 9. Evil Dead II, Sam Raimi, 1987
Raimi's horror comedy sequel-cum-remake of his own no budget film is a gritty tour-de-force, fueled by Bruce Campbell's incendiary lead performance and a gaggle of gloriously DIY special effects.
# 10. Don't Look Now, Nicholas Roeg, 1973
Roeg's film is an immensely stylish, neo-gothic head scratcher that deploys minions no less impressive than the Church, the Elderly, and the Color Red in service of its considerable chills.
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